Copies after Professional Artists:
British and Continental Masters
In Copies after Professional Artists:
British and Continental Masters
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Windsor Castle, Viewed from the South West
Royal Collection Trust (Windsor)

London, from Greenwich Hill
Victoria and Albert Museum, London

The Gateway Leading to the Sulaimani Tomb Complex at Churnargarh
Tate, London

Newark Castle, from the River Trent
Private Collection

Ripon Minster, from the River Skell
British Museum, London

Lanercost Priory Church: An Interior View of the Ruins from the South Transept
British Museum, London

Melrose Abbey: The View to the South Transept
British Museum, London

The Gatehouse, Bury St Edmunds Abbey
British Museum, London

Melrose Abbey: The View to the South Transept
Private Collection

Great Yarmouth: The South Gate
Fitzwilliam Museum, University of Cambridge

A Riverside Cottage, Said to Be a Watermill
Private Collection

London: The Mansion House
British Museum, London

London: St George’s, Hanover Square
British Museum, London

London: The Royal Exchange
British Museum, London

London: The Bank from the Mansion House, with St Christopher-le-Stocks
British Museum, London

The Gateway of Great Malvern Priory
Courtauld Gallery, London

Dogs Hesitating about the Pluck
British Museum, London

Part of the Ruins of Hadrian’s Villa at Tivoli: The West Belvedere
British Museum, London

Narcissus: A Landscape Adapted from a Composition by Claude Lorrain
Private Collection

Italianate Buildings next to a River
Private Collection

The Temple of Vesta, Tivoli, Drawn from a Cork Model
Tate, London

The Temple of Augustus at Pula in Istria
British Museum, London

The Bridge of Augustus at Rimini
British Museum, London

Rome: The Capitol from the South East
British Museum, London

The Dark Prison (Carcere Oscura)
British Museum, London

Rome: The Temple of Saturn, Known as the Temple of Concord
British Museum, London

Rome: Study of the Entablature of the Temple of Saturn
Private Collection

The Temple of Augustus at Pula in Istria
British Museum, London

Venice: The Rialto Bridge
British Museum, London

Venice: The Doge’s Palace
British Museum, London

Venice: The Grand Canal, from Santa Maria della Carità, Looking to San Marco Basin
British Museum, London

Venice: The Grand Canal, Looking East from the Palazzo Flangini to San Marcuola
British Museum, London

Venice: The Grand Canal, Looking North East from near to the Palazzo Corner to the Palazzo Contanari degli Scrigni
British Museum, London

A Venetian Building with Figures: A Detail from Canaletto's 'A Portico with a Lantern'
Private Collection

A Grand Garden Terrace
Victoria and Albert Museum, London
Imprint
- Imprint
-
- Article title
- Copies after Professional Artists:
British and Continental Masters
- Date
- 19/04/2021
- Cite as
- Greg Smith, "Copies after Professional Artists:
British and Continental Masters--", Thomas Girtin (1775–1802): An Online Catalogue, Archive and Introduction to the Artist, (London: Paul Mellon Centre for Studies in British Art, 2022)
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Contents
Thomas Monro and John Henderson:
Making Creative Copies, 1794–98
-
Monro School Copies:
Drawings Made with Joseph Mallord William Turner from the Sketches of John Robert Cozens’ First Trip to the Continent, 1776–79
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Monro School Copies:
Italian Views after Drawings by John Robert Cozens Made on the Second Italian Trip, 1782–83
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Monro School Copies:
British Views, Including Works after the Outlines of John Henderson
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Copies after Professional Artists:
British and Continental Masters