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Thomas Girtin

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    • About This Site
    • Thomas Girtin: A Short Life Story
    • Section 1 – Apprenticeship and Early Work for the Antiquarian Market, 1790–95
    • Section 2 – Thomas Monro and John Henderson Making Creative Copies, 1794–98
    • Section 3 – The Touring Artist and the Studio Watercolour, 1794–99
    • Section 4 – Country House Portraits and the Patronage of the Gentry
    • Section 5 – Later Tours and Working on the Open Market, 1800–1802
    • Section 6 – Paris and London, 1801-2
    • Portraits of Thomas Girtin
  • Archive
    • Bibliography: Published and Manuscript Material Relating to Girtin and His Times
    • Biographies: Collectors, Dealers, Family, Fellow Artists, Patrons
    • Collections: Where to Find Girtin’s Work
    • Documents: A Year by Year Record of Dated Watercolours and Prints, Early Accounts of the Artist and His Works, Manuscript Material Relating to Sales and Collections
    • Exhibitions: Museums and Galleries, Art Dealers, Auction Houses
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Messrs. Christie, Manson & Woods, Ancient and Modern Pictures and Drawings the Property of the Late Douglas W. Freshfield, Esq., 2 November 1934
Manchester City Art Gallery, British Art Exhibition, 1934 (Manchester, 1934)
Exhibitions: Museums and Galleries, Art Dealers, Auction Houses

Annual Exhibition of Water-Colour Drawings

Thos. Agnew & Sons, London

Reference: Agnew's, 1934

  • 89 – ‘The Barn’
  • 127 – ‘Roman Ruins’
  • 131 – ‘The Old Ouse Bridge, York’
  • Paul Mellon Centre for Studies in British Art
  • Thomas Girtin
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