Bibliography: Published and Manuscript Material Relating to Girtin and His Times
A comprehensive survey of literature relating to the artist’s career, specific works, and literature on the art of watercolour during the period of Girtin’s life.
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Abell, 2009
Mora Abell, Doctor Thomas Monro 1759–1833: Physician, Patron and Painter, Victoria, British Columbia, 2009 -
Adams, 1982
Bernard Adams, 'A Regency Pastime: The Extra-illustration of Thomas Pennant’s London', London Journal, vol.8, no.2, Winter 1982, pp.123–39 -
Adams, 1983
Bernard Adams, London Illustrated 1604–1851: A Survey and Index of Topographical Books and Their Plates, London, 1983 -
Adams, 1986
Pat Adams, ed., With a Poet's Eye: A Tate Gallery Anthology, London, 1986 -
Alderson, 2007
Brian Alderson, 'From Castle Cottage to Kendal Museum: The Journey of Some Pictures Owned by Mrs Heelis', Beatrix Potter Society Newsletter, no.105, July 2007, pp.14–15 -
Alexander, 1962
Boyd Alexander, 'William Beckford as Patron', Apollo, vol.77, no.5, (July 1962), pp.360-64 -
Alexander, 2021
David Alexander, A Biographical Dictionary of British and Irish Engravers, 1714–1820, Paul Mellon Centre for Studies in British Art, London, 2021 -
Alfrey, 2001
Nicholas Alfrey, Trentside: An Exhibition, exhibition catalogue, Djanogly Art Gallery, Nottingham, 2001 -
Alger, 1904
John Goldworth Alger, Napoleon’s British Visitors and Captives, 1801–1815, London, 1904 -
Allan, 2001
David G. C. Allan, The Adelphi: Past and Present; A History and a Guide, London, 2001 -
Allen, 2018
Brian Allen, British Watercolours c.1770–1870, from the Collection of BNY Mellon, exhibition catalogue, Royal Academy of Arts, London, 2018 -
Allthorpe-Guyton, 1977
Marjorie Allthorpe-Guyton, John Thirtle 1777–1839: Drawings in Norwich Castle Museum, Norwich, 1977 -
Altick, 1978
Richard D. Altick, The Shows of London, Cambridge, Massachusetts and London, 1978 -
Anderson, 1926
John Anderson, The Unknown Turner: Revelations Concerning the Life and Art of J. M. W. Turner, with an Account of the Discovery of His Hidden Signatures and Dates and the Publication of the Only Known Original Manuscript of Any of His Sketching Tours, New York, 1926 -
Andrew and Robinson, 1993
Patricia R. Andrew and Suzanne Robinson, Durham Cathedral: Artists and Images; Durham Cathedral as a Visual Image, Durham, 1993 -
Andrews, 1989
Malcolm Andrews, The Search for the Picturesque: Landscape Aesthetics and Tourism in Britain, 1760–1800, Aldershot, 1989 -
Andrews, 1994a
Malcolm Andrews, The Picturesque: Literary Sources and Documents, 3 vols., Robertsbridge, 1994 -
Andrews, 1994b
Malcolm Andrews, 'The Metropolitan Picturesque' in Stephen Copley and Peter Garside, eds., The Politics of the Picturesque: Literature, Landscape and Aesthetics since 1770, Cambridge, 1994, pp.282–98 -
Andrews, 1995
Malcolm Andrews, 'A Picturesque Template: The Tourist and Their Guidebooks' in Dana Arnold, ed., The Picturesque in Late Georgian England: Papers Given at the Georgian Group Symposium, London, 1995, pp.3–9 -
Andrews, 2021
Malcolm Andrews, A Sweet View: The Making of an English Idyll, London, 2021 -
Anonymous, 1875
Anonymous, 'The Girtin Drawings at the Burlington Club', The Builder, vol.33, no.1687, 5 June 1875, p.499 -
Anonymous, 1948
Anonymous, The British Heritage, London, 1948 -
Anonymous, 2000
Anonymous, 'Maineri to Miró: The Regenstein Collection since 1975', Art Institute of Chicago Museum Studies, vol.26, no.1, Chicago, 2000, pp.62–63 -
Armstrong, 1902
Walter Armstrong, Turner, London, 1902 -
Arnold, 1999
Dana Arnold, The Metropolis and Its Image: Constructing Identities for London, c.1750–1950, Oxford, 1999 -
Arnold, 2000
Dana Arnold, Re-presenting the Metropolis: Architecture, Urban Experience and Social Life in London, 1800–1840, Aldershot and Burlington, Vermont, 2000 -
Arscott, 2000
Caroline Arscott, 'The Representation of the City in the Visual Arts' in Peter Clark, D. M. Palliser and M. J. Daunton, eds., The Cambridge Urban History of Britain, vol.3, Cambridge, 2000, pp.811–32 -
Ashmolean Museum, Oxford, 1929
Ashmolean Museum, Oxford, Annual Report of the Visitors, Oxford, 1929 -
Ashmolean Museum, Oxford, 1941
Ashmolean Museum, Oxford, Annual Report of the Visitors, Oxford, 1941 -
Asquith, 2013
Roger Asquith, 'The Life and Times of Buttermere Mill', Journal of the Lorton & Derwent Fells Local History Society, no.52, August 2013, pp.8–16 -
Avery-Quash, 2019
Susanna Avery-Quash and Christian Huemer, eds., London and the Emergence of a European Art Market, 1780–1820, Los Angeles, 2019
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Baetjer, 1992
Katharine Baetjer, ed., Glorious Nature: British Landscape Painting, 1750–1850, exhibition catalogue, Denver Art Museum, 1993 -
Baker, 1980
Rowland G. M. Baker, 'East Molesey Mill', Molesey History, 1980 -
Baker, 2006
Christopher Baker, J. M. W. Turner: The Vaughan Bequest, Edinburgh, 2006 -
Baker, 2011
Christopher Baker, English Drawings & Watercolours 1600–1900, National Gallery of Scotland, Edinburgh, 2011 -
Ball, 1978
Alan W. Ball, Paintings, Prints and Drawings of Harrow on the Hill 1562–1899, Harrow, 1978 -
Barbier, 1963
Carl Paul Barbier, William Gilpin: His Drawings, Teaching, and Theory of the Picturesque, Oxford, 1963 -
Barker, 2003
Elizabeth E. Barker, 'Recent Acquisitions. A Selection: 2002 – 2003', The Metropolitan Museum of Art Bulletin, vol.61, no.2, Fall 2003, p.27 -
Barker, 2012
Emma Barker, ed., Art and Visual Culture 1600–1850: Academy to Avant-Garde, London, 2012 -
Barrell, 2010
John Barrell, 'Paul Sandby', London Review of Books, vol.32, no.9, 13 May 2010 -
Barrell, 2013a
John Barrell, 'Edward Pugh of Ruthin 1763–1813: "A Native Artist"', Cardiff, 2013 -
Barrell, 2013b
John Barrell, 'The Virtues of Topography', London Review of Books, vol.35, no.1, 3 January 2013, pp.9–12 -
Barthorp, 1982
Michael Barthorp, British Infantry Uniforms Since 1660, Poole, 1982 -
Batten, 1978
Charles Linwood Batten, Pleasurable Instruction: Form and Convention in Eighteenth-Century Travel Literature, Berkeley, Los Angeles and London, 1978 -
Bauer, 1998
Gérald Bauer, Le siècle d’or de l’aquarelle anglaise, Paris, 1998 -
Baxandall, 1939
D. Kighley Baxandall, The British Water-Colour School: Handbook to the Pyke Thompson Gallery, Cardiff, 1939 -
Bayard, 1981
Jane Bayard, Works of Splendor and Imagination: The Exhibition Watercolor, 1770–1870, exhibition catalogue, Yale Center for British Art, New Haven, 1981 -
Bayard, 1982
Jane Bayard, 'From Drawing to Painting: The Exhibition Watercolor 1770–1870', 2 vols., PhD dissertation, Yale University, New Haven, 1982 -
Bayer, 2011
Thomas M. Bayer and John R. Page, The Development of the Art Market in England: Money as Muse, 1730–1900, London, 2011 -
Beckett, 1999
Wendy Beckett, 1000 Masterpieces of Western Art, London, 1999 -
Bell and Girtin, 1935
Charles F. Bell and Thomas Girtin, 'The Drawings and Sketches of John Robert Cozens: A Catalogue with an Historical Introduction', Walpole Society, vol.23, 1935, pp.1–87 -
Bell, 1915–17
Charles F. Bell, 'Fresh Light on Some Water-Colour Painters of the Old British School, Derived from the Collection and Papers of James Moore, F. S. A.', Walpole Society, vol.5, 1915–17, pp.47–83 -
Bell, 1938–39
Charles F. Bell, 'A Postscript Concerning Dr. Thomas Monro, James Moore, F. S. A., and John Henderson and Some of the Artists Who Worked for Them', Walpole Society, vol.27, 1938–39, pp.97–103 -
Bell, 1947
Charles F. Bell, 'The Sketches and Drawings of John Robert Cozens: Some Additions and Notes to the Twenty-Third Volume of the Walpole Society', Walpole Society, no volume number, 1947, pp.1–12 -
Bell, 1995
Patricia Bell, Southill and the Whitbreads 1795–1995: A Collection of Essays to Celebrate Two Centuries of Southill House and Estate in the Hands of the Whitbread Family, Biggleswade, 1995 -
Belsey and Spadoni, 2004
Hugh Belsey and Claudio Spadoni, The Great Period of British Watercolours from Turner to Burne-Jones from the Collection of the Williamson Art Gallery and Museum at Birkenhead, exhibition catalogue, Museo d’Arte della Città, Ravenna, 2004 -
Bennett, 2008
Susan Bennett, ‘I awleis admired your talent’: The Artistic Life of Georgiana Jane Henderson (nee Keate) (1771–1850), Saarbrücken, 2008 -
Bermingham, 1995
Ann Bermingham, '“An Exquisite Practice”: The Institution of Drawing as a Polite Art in Britain' in Brian Allen, ed., Towards a Modern Art World: Studies in British Art 1, New Haven and London, 1995, pp.47–66 -
Bermingham, 2000
Ann Bermingham, Learning to Draw: Studies in the Cultural History of a Polite and Useful Art, New Haven and London, 2000 -
Bermingham, 2001
Ann Bermingham, 'Landscape-O-Rama: The Exhibition Landscape at Somerset House and the Rise of Popular Landscape Entertainments' in David H. Solkin, ed., Art on the Line: The Royal Academy Exhibitions at Somerset House 1780–1836, Paul Mellon Centre for Studies in British Art, New Haven and London, 2001, pp.127–43 -
Bermingham, 2005
Ann Bermingham, 'Urbanity and the Spectacle of Art' in James Chandler and Kevin Gilmartin, eds., Romantic Metropolis: The Urban Scene of British Culture, 1780–1840, Cambridge, 2005, pp.151–76 -
Bicknell and Guiterman, 1987
Peter Bicknell and Helen Guiterman, 'The Turner Collector: Elhanan Bicknell', Turner Studies, vol.7, no.1, Summer 1987, pp.34–44 -
Bicknell and Munro, 1988
Peter Bicknell and Jane Munro, Gilpin to Ruskin: Drawing Masters and Their Manuals, 1800–1860, exhibition catalogue, Fitzwilliam Museum, Cambridge, 1988 -
Bicknell and Woof, 1982
Peter Bicknell and Robert Woof, The Discovery of the Lake District 1750–1810: A Context for Wordsworth, exhibition catalogue, Wordsworth Museum, Grasmere, 1982 -
Bicknell, 1947
Peter Bicknell, British Hills and Mountains, London, 1947 -
Bicknell, 1981
Peter Bicknell, Beauty, Horror, and Immensity: Picturesque Landscape in Britain 1750–1850, exhibition catalogue, Fitzwilliam Museum, Cambridge, 1981 -
Bigg, 2007
Charlotte Bigg, 'The Panorama; or, La nature a coup d’oeil' in Erna Fiorentini, ed., Observing Nature: Representing Experience; The Osmotic Dynamics of Romanticism 1800–1850, Berlin, 2007, pp.73–95 -
Bindman, 1989
David Bindman, The Shadow of the Guillotine: Britain and the French Revolution, exhibition catalogue, British Museum, London, 1989 -
Binyon, 1898–1907
Laurence Binyon, Catalogue of Drawings by British Artists and Artists of Foreign Origin Working in Great Britain, 4 vols., London, 1898–1907 -
Binyon, 1900
Laurence Binyon, Thomas Girtin: His Life and Works; An Essay, London, 1900 -
Binyon, 1931
Laurence Binyon, Landscape in English Art and Poetry, London, 1931 -
Binyon, 1933
Laurence Binyon, English Water-Colours, London, 1933 -
Binyon, 1939
Laurence Binyon, English Watercolours: From the Work of Turner, Girtin, Cotman, Constable and Bonington, London, 1939 -
Binyon, 1944
Laurence Binyon, English Water-Colours, London, 1944 -
Bishop, 1977
William Bishop, 'Views of Kirkstall Abbey', Leeds Arts Calendar, no.81, 1977, pp.10–18 -
Bishop, 2001
Peter Bishop, 'Vision and Revision: Mountain Scenery in Snowdonia 1750–1880', PhD dissertation, 2 vols., University of Wales, Aberystwyth, 2001 -
Bishop, 2015
Peter Bishop, The Mountains of Snowdonia in Art: The Visualisation of Mountain Scenery from the Mid-Eighteenth Century to the Present Day, Llanrwst, 2015 -
Bishop, 2018–19
Peter Bishop, 'Thomas Pennant (1726–98): The Journey to Snowdon and Its Influence on Artists Visiting North Wales', British Art Journal, vol.19, no.3, Winter 2018–19, pp.87–95 -
Boase, 1959
Thomas Shearer Ross Boase, English Art: 1800–1870, Oxford, 1959 -
Bonehill and Daniels, 2009a
John Bonehill and Stephen Daniels, '“Real Views from Nature in this Country”: Paul Sandby, Estate Portraiture and British Landscape Art', British Art Journal, vol.10, no.1, Spring–Summer 2009, pp.72–77 -
Bonehill and Daniels, 2009b
John Bonehill and Stephen Daniels, eds., Paul Sandby: Picturing Britain, exhibition catalogue, Royal Academy of Arts, London, 2009 -
Bonehill and Daniels, 2017
John Bonehill and Stephen Daniels, 'Designs on the Landscape: Paul and Thomas Sandby in North Britain', Oxford Art Journal, vol.40, no.2, August 2017, pp.223–48 -
Bonehill, 2014
John Bonehill, '“New Scenes Drawn by the Pencil of Truth”: Joseph Banks’ Northern Voyage', Journal of Historical Geography, vol.43, January 2014, pp.9–27 -
Bonehill, Beveridge and Leask, 2021
John Bonehill, Anne Dulau Beveridge and Nigel Leask, eds., Old Ways New Roads: Travels in Scotland 1720–1832, exhibition catalogue, Hunterian Art Gallery, University of Glasgow, 2021 -
Borenius, 1936
Tancred Borenius, Catalogue of the Pictures and Drawings at Harewood House and Elsewhere in the Collection of the Earl of Harewood, Oxford, 1936 -
Bower, 1990
Peter Bower, Turner’s Papers: A Study of the Manufacture, Selection and Use of His Drawing Papers 1787–1820, exhibition catalogue, Tate Gallery, London, 1990 -
Bower, 1996
Peter Bower, 'The Evolution and Development of “Drawing Papers” and the Effect of This Development on Watercolour Artists 1750–1850' in Peter Bower, ed., The Oxford Papers: Proceedings of the British Association of Paper Historians Fourth Annual Conference, Studies in British Paper History 1, London, 1996, pp.92–105 -
Bower, 2002
Peter Bower, 'Tone, Texture and Strength: Girtin’s Use of Paper' in Greg Smith, ed., Thomas Girtin: The Art of Watercolour, exhibition catalogue, Tate Britain, London, 2002, pp.137–41 -
Bower, 2003
Peter Bower, 'Careful and Considered Choice: Thomas Jones’s Use of Paper' in Ann Sumner and Greg Smith, eds., Thomas Jones (1742–1803): An Artist Rediscovered, New Haven and London, 2003, pp.101–7 -
Bower, 2005
Peter Bower, 'Thomas Girtin’s Watercolour of Egglestone Abbey Mill', The Quarterly: The Journal of the British Association of Paper Historians, no.54, April 2005, p.41 -
Bradley and Pevsner, 1997
Simon Bradley and Nikolaus Pevsner, The Buildings of England: London 1; The City of London, London, 1997 -
Bransgrove, 2023
Jake William Bransgrove, 'Pictures in Time: Temporality and Architecture in Picturesque Theory', Journal for Eighteenth-Century Studies, vol.46, no.2, 2023, pp.239–58 -
Breen, 2007
Amanda Breen, 'Wigger Collection of British Watercolors at the Gibbes Museum of Art', MA dissertation, University of South Carolina, Columbia, 2007 -
Breen, 2020
Susan Breen, 'Behind the Scenes: J. M. W. Turner', Tate Etc., no.50, Autumn 2020, pp.100–101 -
Brewer, 1997
John Brewer, The Pleasures of the Imagination: English Culture in the Eighteenth Century, London, 1997 -
Brewer, 2007
John Brewer, 'Sensibility and the Urban Panorama', Huntington Library Quarterly, vol.70, no.2, June 2007, pp.229–49 -
Brighton, 2004
Trevor Brighton, The Discovery of the Peak District: From Hades to Elysium, Chichester, 2004 -
Brook and Curzi, 2014
Carolina Brook and Valter Curzi, eds., Hogarth, Reynolds, Turner: British Painting and the Rise of Modernity, exhibition catalogue, Museo Fondazione Roma, Palazzo Sciarra, 2014 -
Brooke, 2002
Sandy Brooke, Drawing as Expression: Techniques and Concepts, Upper Saddle River, New Jersey, 2002 -
Brooks, 1918
Alfred Mansfield Brooks, 'English Drawings and Water Colors at Indiana University', Art in America, vol.6, no.3, 1918, pp.143–50 -
Brown, 1982
David Blayney Brown, Catalogue of the Collection of Drawings in the Ashmolean Museum, Vol.4: The Earlier British Drawings – British Artists and Foreigners Working in Britain Born before 1775, Oxford, 1982 -
Brown, 2012
Peter B. Brown, Views of York: Portrait of a City, 1610 to Present Day, York, 2012 -
Brown, 2014
David Brown, ed., Durham Cathedral: History, Fabric, and Culture, New Haven and London, 2014 -
Bryant, 1996
Julius Bryant, Turner: Painting the Nation; English Heritage Properties as Seen by J. M. W. Turner, London, 1996 -
Bryant, 2005
Julius Bryant, The English Grand Tour: Artists and Admirers of England’s Historic Sites, London, 2005 -
Bucks Gardens Trust, 2016
Buckinghamshire Gardens Trust, Understanding Historic Parks and Gardens in Buckinghamshire: Chalfont Park, Buckinghamshire Gardens Trust Research & Recording Project, Buckinghamshire, 2016 -
Bunt, 1949
Cyril G. E. Bunt, Windsor Castle through Three Centuries: A Description and Catalogue of the Windsor Collection Formed by the Lord Fairhaven, F. S. A. Anglesey Abbey, Cambridgeshire, Leigh-on-Sea, 1949 -
Bury and Barry, 1953
J. P. T. Bury and J. C. Barry, eds., An Englishman in Paris: 1803; The Journal of Bertie Greatheed, London, 1953 -
Bury, 1934
Adrian Bury, 'Water-colour: The English Medium', Apollo, vol.19, no.110, February 1934, pp.85–89 -
Bury, 1942
Adrian Bury, 'Girtin and His Swan Song', The Connoisseur, vol.110, September 1942, pp.39–44, 80 -
Bury, 1950
Adrian Bury, Two Centuries of British Water-Colour Painting, London, 1950 -
Bury, 1956
Adrian Bury, 'The Fitzwilliam Museum, Cambridge: Some Important English Water-Colours and Drawings', Old Water-Colour Society’s Club Annual Volume, vol.31, 1956, pp.8–17 -
Bury, 1958
Adrian Bury, 'The Ashmolean Museum, Oxford: Some Important English Water-Colours and Drawings', Old Water-Colour Society’s Club Annual Volume, vol.33, 1958, pp.18–33 -
Bury, 1959
Adrian Bury, 'The Hereford Art Gallery: Some Important English Water-Colours and Drawings', Old Water-Colour Society’s Club Annual Volume, vol.34, 1959, pp.10–24 -
Bury, 1960
Adrian Bury, 'The Leeds Art Gallery: Some Important English Water-Colours and Drawings', Old Water-Colour Society’s Club Annual Volume, vol.35, 1960, pp.8–23 -
Bury, 1961
Adrian Bury, 'The Cecil Higgins Museum, Bedford: A Preliminary Survey', Old Water-Colour Society’s Club Annual Volume, vol.36, 1961, pp.30–41 -
Bury, 1962
Adrian Bury, 'The Girtin Collection at the Royal Academy Diploma Gallery', Old Water-Colour Society’s Club Annual Volume, vol.37, 1962, pp.48–50 -
Bury, 1967
Adrian Bury, 'Old English Water-Colours and Drawings in the Collection of Mrs Cecil Keith', Old Water-Colour Society’s Club Annual Volume, vol.42, 1967, pp.8–32 -
Butlin and Joll, 1984
Martin Butlin and Evelyn Joll, The Paintings of J. M. W. Turner, 2 vols., 2nd edn., New Haven and London, 1984 -
Butlin, 1988
Martin Butlin, Aspects of British Painting 1550–1800: From the Collection of the Sarah Campbell Blaffer Foundation, Houston, 1988
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Campbell, 1989
Mungo Campbell, '“Jedburgh” by Thomas Girtin', National Art-Collections Fund Review, London, 1989, pp.142–43 -
Campbell, 1993
Mungo Campbell, A Complete Catalogue of Works by Turner in the National Gallery of Scotland, Edinburgh, 1993 -
Carlisle, 1950
Anne Carlisle, English Drawings: XIX Century, New York, 1950 -
Carter, Lindfield and Townshend, 2017
Michael Carter, Peter N. Lindfield and Dale Townshend, eds., Writing Britain’s Ruins, London, London, 2017 -
Casati, 2009
Matilde Casati, 'La Landscape art nella vita del collezionista Herbert Percy Home' in Elisabetta Nardinocchi and Matilde Casati eds., II Paesaggio Disegnato: John Constable e i Maestri Inglesi nella Raccolta Horne, exhibition catalogue, Horne Museum, Florence, 2009, pp.11-34 -
Castle Studies Group
Castle Studies Group, Antiquarian Topographical Prints & Drawings 1550–1850 (as They Relate to Castles): Part One; Introduction – 1550–1790; ‘Bringing Truth to Light’, n.d. -
Cecere, 2015
Imma Cecere, 'Artisti in viaggio nell’Altera Roma: L’anfiteatro di Capua antica nelle immagini del Grand Tour', Capitale Culturale, vol.11, 2015, pp.123–47 -
Celeste, 2020
Jane Evans Celeste, 'Perspectives on History and Heritage: J.M.W. Turner's Estate Views', PhD dissertation, Rice University, Houston, 2020 -
Centre for the Study of the Legacies of British Slavery
Centre for the Study of the Legacies of British Slavery, 'Thomas Hibbert of Chalfont', Legacies of British Slavery, 2021 -
Chandler and Gilmartin, 2005
James Chandler and Kevin Gilmartin, eds., Romantic Metropolis: The Urban Scene of British Culture, 1780–1840, Cambridge, 2005 -
Chare, 2007
Nicholas Chare, 'Sexing the Canvas', Art History, vol.32, no.4, February 2007, pp.8–33 -
Charles, 2020
Victoria Charles, 1000 Watercolors of Genius, New York, 2020 -
Charlesworth, 1994
Michael Charlesworth, 'The Ruined Abbey: Picturesque and Gothic Values' in Stephen Copley and Peter Garside, eds., The Politics of the Picturesque: Literature, Landscape and Aesthetics since 1770, Cambridge, 1994, pp.62–80 -
Charlesworth, 1996
Michael Charlesworth, 'Thomas Sandby Climbs the Hoober Stand: The Politics of Panoramic Drawing in Eighteenth-Century Britain', Art History, vol.19, no.2, June 1996, pp.247–66 -
Charlesworth, 2008
Michael Charlesworth, Landscape and Vision in Nineteenth-Century Britain and France, Aldershot and Burlington, Vermont, 2008 -
Chesneau, 1891
Ernest Chesneau, The English School of Painting, 4th edn., translated by Lucy N. Etherington, London, 1891 -
Chu, 2003
Petra ten-Doesschate Chu, Nineteenth-Century European Art, New York, 2003 -
Clark, 2001
Paul Anthony Clark, 'J. M. W. Turner’s (1775–1851) Watercolour Materials, Ideas and Techniques', PhD dissertation, University of Durham, 2001 -
Clarke, 1981
Michael Clarke, The Tempting Prospect: A Social History of English Watercolours, London, 1981 -
Clarke, 2012
Jay A. Clarke, ed., Landscape, Innovation, and Nostalgia: The Manton Collection of British Art, Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 2012 -
Clarke, Wright and Barnett, 1987
R. A. Clarke, A. Wright and R. Barnett, The Blasted Oak: The Oak Tree; Natural History, Art and Myth in European Culture, Coventry, 1987 -
Clayton, 1995
Timothy Clayton, 'The Print and the Spread of the Picturesque Ideal' in Dana Arnold, ed., The Picturesque in Late Georgian England: Papers Given at the Georgian Group Symposium, London, 1995, pp.11–19 -
Clayton, 1997
Timothy Clayton, The English Print 1688–1802, Paul Mellon Centre for Studies in British Art, New Haven and London, 1997 -
Clayton, 1998
Timothy Clayton, 'Publishing Houses: Prints of Country Seats' in Dana Arnold, ed., The Georgian Country House: Architecture, Landscape and Society, Stroud, 1998, pp.43–60 -
Cleveland, 1958
Cleveland Museum of Art, The Cleveland Museum of Art Handbook, Cleveland, Ohio, 1958 -
Cleveland, 1966
Cleveland Museum of Art, The Cleveland Museum of Art Handbook, Cleveland, Ohio, 1958 -
Clifford, 1973
Derek Clifford, 'A Personal Choice', Old Water-Colour Society’s Club Annual Volume, vol.48, 1973, pp.8–19 -
Clifford, 1976
Derek Clifford, Collecting English Watercolours, 2nd edn., London, 1976 -
Cobb, 1980
Gerald Cobb, English Cathedrals: The Forgotten Centuries; Restoration and Change from 1530 to the Present Day, London, 1980 -
Cohn, 1977
Marjorie B. Cohn, Wash and Gouache: A Study of the Development of the Materials of Watercolor, exhibition catalogue, Fogg Art Museum, Harvard University, Cambridge, Massachusetts, 1977 -
Collett-White, 1995
James Collett-White, ed., Inventories of Bedfordshire Country Houses 1714–1830, Bedford, 1995 -
Collins Baker, 1933
Charles Henry Collins Baker, British Painting, London, 1933 -
Collobi, 1963
Licia Ragghianti Collobi, Disegni della Fondazione Horne in Firenze, Florence, 1963 -
Collobi, 1966
Licia Ragghianti Collobi, Disegni inglesi della Fondazione Horne in Firenze, exhibition catalogue, Fondazione Herbert P. Horne, Florence, 1966 -
Coltman, 2019
Viccy Coltman, Art and Identity in Scotland: A Cultural History from the Jacobite Rising of 1745 to Walter Scott, Cambridge, 2019 -
Comment, 1999
Bernard Comment, The Panorama, London, 1999 -
Comment, 2000
Bernard Comment, The Painted Panorama, New York, 2000 -
Conner, 1984
Patrick Conner, Michael Angelo Rooker 1746–1801, London, 1984 -
Consagra, 1999
F. Consagra, ed., Landscapes of Retrospection: The Magoon Collection of British Drawings and Prints 1739–1860, exhibition catalogue, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, 1999 -
Constantine and Leask, 2015
Mary-Ann Constantine and Nigel Leask, eds., Curious Travellers, 2015 -
Coode, 1901
Clara Eleanor Coode, 'Turner’s First Patron', Art Journal, vol.63, May 1901, pp.133–36 -
Coombs, 1993
Trevor Coombs, Watercolours: The Charles Lees Collection at Oldham Art Gallery, Oldham, 1993 -
Coombs, 2012
Katherine Coombs, British Watercolours: 1750–1950, London, 2012 -
Cordingley, 1955
R. A. Cordingley, 'Cathedral Innovations: James Wyatt, Architect, at Durham Cathedral, 1795–1797', Transactions of the Ancient Monuments Society, new series, vol.3, 1955, pp.31–55 -
Cormack, 1975
Malcolm Cormack, J. M. W. Turner, R. A. 1775–1851: A Catalogue of Drawings and Watercolours in the Fitzwilliam Museum, exhibition catalogue, Fitzwilliam Museum, Cambridge, 1975 -
Cormack, 1986
Malcolm Cormack, Oil on Water: Oil Sketches by British Watercolorists, exhibition catalogue, Yale Center for British Art, New Haven, 1986 -
Cottrell, 1990
Stella M. Ní Ghallchoír Cottrell, 'English Views of France and the French, 1789–1815', DPhil dissertation, University of Oxford, 1990 -
Courtauld, 1974
Courtauld Gallery, London, Watercolours by J. M. W. Turner from the Collection of Sir Stephen Courtauld, exhibition catalogue, Courtauld Gallery, London, 1974 -
Cowell and Watkins, 2006
Ben Cowell and Charles Watkins, eds., 'The Letters of Uvedale Price', Walpole Society, vol.68, 2006, pp.1–359 -
Cowell and Watkins, 2012
Ben Cowell and Charles Watkins, Uvedale Price (1747–1829): Decoding the Picturesque, Woodbridge, 2012 -
Croal and Nugent, 1998
Melva Croal and Charles Nugent, Turner Watercolours from Manchester, exhibition catalogue, Whitworth Art Gallery, Manchester, 1998 -
Croft-Murray, 1935
Edward Croft-Murray, 'Pencil Outlines of Shipping at Dover of the “Monro School”', British Museum Quarterly, vol.10, no.2, 1935, pp.49–52 -
Croft-Murray, 1968
Edward Croft-Murray, Giovanni Battista Piranesi: His Predecessors and His Heritage, British Museum, London, 1968 -
Crook and Nurse, 2011
J. Mordaunt Crook and Bernard Nurse, eds., 'John Carter, FSA (1748–1817): “The Ingenious, and Very Accurate Draughtsman”', Antiquaries Journal, vol.91, 2011, pp.211–52 -
Crook, 1995
J. Mordaunt Crook, 'John Carter and the Mind of the Gothic Revival', Occasional Papers from the Society of Antiquaries of London, London, 1995 -
Crouan, 1982a
Katharine Crouan, John Linnell: A Centennial Exhibition, exhibition catalogue, Fitzwilliam Museum, Cambridge, 1982 -
Crouan, 1982b
Katharine Crouan, John Linnell: Truth to Nature, exhibition catalogue, Martyn Gregory Gallery, London, 1982 -
Cumming, 2015
Robert Cumming, Art: A Visual History, New York, 2015 -
Cummings and Staley, 1968
Frederick Cummings and Allen Staley, Romantic Art in Britain: Paintings and Drawings 1760–1860, exhibition catalogue, Detroit Institute of Arts, 1968 -
Cundall, 1908
Herbert Minton Cundall, A History of British Water Colour Painting, London, 1908 -
Cundall, 1922
Herbert Minton Cundall, 'The Victor Rienaecker Collection', The Studio, vol.84, 1922, pp.119–29 -
Cundall, 1922–23
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Dundee Art Gallery, 1980
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Egerton, 1979
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Fabricant, 1987
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Farries and Mason, 1966
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Fisher, 1970
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Forrester, 1996
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Foster, 2022
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Fox, 1987
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Fox, 1992
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Freeman, 2015–
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Galassi, 1981
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Galbally, 1987
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Hamerton, 1887
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Hamilton, 1971
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Hamilton, 1997
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Hamilton, 2003
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Hardie, 1938–39
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Hardie, 1954
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Hardie, 1966–68
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Hargraves, 2007
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Hargraves, 2010
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Harley, 1982
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Harris, 1979
John Harris, The Artist and the Country House: A History of Country House and Garden View Painting in Britain 1540–1870, London, 1979 -
Harris, 1995
John Harris, The Artist and the Country House from the Fifteenth Century to the Present Day, exhibition catalogue, Sotheby’s, London, 1995 -
Harrison, 2000
Colin Harrison, Turner’s Oxford, exhibition catalogue, Ashmolean Museum, Oxford, 2000 -
Harrison, 2015
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Harrow School, 2002
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Hartley, 1984
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Hartley, 1995
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Hartley, 1996
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Harwood, 1992
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Hauptman, 1991
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Hauptman, 1999
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Hawcroft, 1975
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Hawes, 1982
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Hazan, 2011
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Hearn, 1994
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Hebron, 2006
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Hebron, 2008
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Hebron, Shields and Wilcox, 2006
Stephen Hebron, Conal Shields and Timothy Wilcox, The Solitude of Mountains: Constable and the Lake District, exhibition catalogue, Wordsworth Trust, Grasmere, 2006 -
Hedley, 1982
Gill Hedley, The Picturesque Tour in Northumberland and Durham, c.1720–1830, exhibition catalogue, Laing Art Gallery, Newcastle upon Tyne, 1982 -
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Hemingway and Vaughan, 1998
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Hemingway, 1992
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Hemingway, 1995
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Herbert, Martin and Thomas, 2008
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Hernon, 2013
Paul Hernon, Sir Watkin’s Tours: Excursions to France, Italy and North Wales 1768–71, Wrexham, 2013 -
Herrmann and Harrison, 2000
Luke Herrmann and Colin Harrison, J. M. W. Turner, Oxford, 2000 -
Herrmann and Owen, 1973
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Herrmann, 1967
Luke Herrmann, 'Romantic Genius of Thomas Girtin', Country Life, vol.141, 1 January 1967, pp.80–82 -
Herrmann, 1968
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Herrmann, 1986
Luke Herrmann, Paul and Thomas Sandby, London, 1986 -
Herrmann, 1990
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Herrmann, 2000
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