- Description
-
- Creator(s)
- Thomas Girtin (1775-1802)
- Title
-
- The Thames from a Window of the Old Toy Inn, Hampton Court
- Date
- 1800 - 1801
- Medium and Support
- Graphite and watercolour on laid paper
- Dimensions
- 26.5 × 42.3 cm, 10 ⅜ × 16 ⅝ in
- Inscription
'2' lower right
- Object Type
- Studio Watercolour
- Subject Terms
- London and Environs; Picturesque Vernacular; River Scenery; The River Thames
-
- Collection
- Catalogue Number
- TG1748
- Girtin & Loshak Number
- 400 as 'View from the Window of the Old Toy Inn, Hampton Court'; '1800'
- Description Source(s)
- Viewed in 2001 and 2018
Provenance
Thomas Girtin (1775–1802); his posthumous sale, Christie’s, 1 June 1803, lot 94 as 'from the Toy, Hampton Court'; bought by John Girtin (1773–1821), £3 15s; his father-in-law, John Jackson (d.1828); bought from him by Chambers Hall (1786–1855); presented to the Museum, 1855
Bibliography
Binyon, 1898–1907, no.47; Roget, 1891, vol.1, pp.118–19
Place depicted
Other entries in Late Watercolours:
Samuel William Reynolds and Painting for the Art Market
An Imaginary City, with Antique Buildings
Rhode Island School of Design Museum, Providence
Ancient Ruins, with an Obelisk
Yale Center for British Art, New Haven
Ancient Ruins, with a Gothic Church
National Gallery of Scotland, Edinburgh
A Classical Composition, with a Church and Column
Walker Art Gallery, National Museums Liverpool
The Arch of Janus, Rome
Yale Center for British Art, New Haven
The Temple of Clitumnus
Yale Center for British Art, New Haven
Rome: The Temple of Antoninus and Faustina
Yale Center for British Art, New Haven
Rome: The Temple of Saturn, with the Arch of Septimius Severus
Private Collection
A Town on an Estuary
Rhode Island School of Design Museum, Providence
A Lagoon Capriccio
Birmingham Museums & Art Gallery
An Unidentified Coastal Landscape with a Windmill
Lady Lever Art Gallery, Port Sunlight
Barnard Castle, from the River Tees
Bowes Museum, Barnard Castle
A Farmhouse, Said to Be near Newcastle-upon-Tyne
Yale Center for British Art, New Haven
An Exterior View of the Ruins of Lindisfarne Priory Church
Lindisfarne Priory, Northumberland (English Heritage)
Kelso Abbey: The West Front
The Whitworth, The University of Manchester
Jedburgh Abbey, from the Riverbank
The Higgins, Bedford
On the River Medway, with a Boatyard, Beached Vessels and Hulks
Private Collection
Bisham Abbey, on the River Thames
Private Collection
A Classical Composition, with Figures Admiring the Sculptures
The Whitworth, The University of Manchester
An Unidentified Ruin next to a Bridge over a Stream, Said to Be Furness Abbey
Touchstones Rochdale
The Gatehouse of Morpeth Castle
Yale Center for British Art, New Haven
Buildings on the River Nidd, near Knaresborough
British Museum, London
Kirkstall Abbey, from Kirkstall Hill
British Museum, London
Kirkstall Abbey, from Kirkstall Bridge, Morning
Victoria and Albert Museum, London
Kirkstall Abbey, from the Canal, Evening
Private Collection
A Distant View of Kirkstall Abbey
Williamson Art Gallery & Museum, Birkenhead
An Unidentified Scene, Formerly Known as ‘Kirkstall Village’
Yale Center for British Art, New Haven
Wetherby Bridge and Mills, Looking across the Weir
The Museum of Fine Arts, Houston
Wetherby: Looking through the Bridge to the Mills
British Museum, London
Wetherby: Looking through the Bridge to the Mills
Leeds Art Gallery
Kirk Deighton, near Wetherby
The Whitworth, The University of Manchester
York: The New Walk on the Banks of the River Ouse
Victoria and Albert Museum, London
York: The Layerthorpe Bridge and Postern
The Whitworth, The University of Manchester
York: The Layerthorpe Bridge and Postern
Private Collection
York Minster from the South East, Layerthorpe Bridge and Postern to the Right
Private Collection
A Farmyard with Barns, Ladder and Figures; A Sky Study
Courtauld Gallery, London
Ripon Minster, with Skellgate Bridge
Yale Center for British Art, New Haven
Ripon Minster, with Skellgate Bridge
Leeds Art Gallery
Ripon Minster, with Skellgate Bridge
Blackburn Museum and Art Gallery
A Distant View of Ripon Minster, from the River Skell
Private Collection
Ripon Minster, from the South East
National Gallery of Scotland, Edinburgh
Ripon Minster, from the South West
Private Collection
The Abbey Mill, near Knaresborough
Yale Center for British Art, New Haven
A Mountain Stream in Spate, Possibly the River Wharfe
Private Collection
Bolton Abbey: The East End of the Priory Church from across the River Wharfe
Eton College, Windsor
Bolton Abbey: The East End of the Priory Church, from across the River Wharfe
National Museum of Wales, Cardiff
Bolton Abbey: The East End of the Priory Church, from across the River Wharfe
Leeds Art Gallery
Bolton Abbey, from the River Wharfe
Private Collection
Bolton Abbey, from the River Wharfe
Private Collection
The Banks of the River Wharfe, with Bolton Abbey in the Distance
Private Collection
Stepping Stones on the River Wharfe, near Bolton Abbey
National Gallery of Scotland, Edinburgh
Stepping Stones on the River Wharfe, near Bolton Abbey
National Gallery of Victoria, Melbourne
Storiths Heights, near Bolton Abbey, from the River Wharfe
Fitzwilliam Museum, University of Cambridge
Richmond Castle, from the River Swale
Leeds Art Gallery
A Farmhouse in Malhamdale, Known as 'Kirkby Priory, near Malham'
British Museum, London
An Ancient Oak, Said to Be on the River Ure
Private Collection
Cottages at Hawes, from Gayle Beck
Birmingham Museums & Art Gallery
Cottages at Hawes, from Gayle Beck
Private Collection, Norfolk
Cottages at Hawes, from Gayle Beck
Private Collection
Cottages at Hawes, from Gayle Beck
Ashmolean Museum, University of Oxford
Guisborough Priory: The Ruined East End
Tate, London
A Distant View of Guisborough Priory; The Tithe Barn, Abbotsbury
Private Collection, Norfolk
A Distant View of Guisborough Priory
Yale Center for British Art, New Haven
A Distant View of Guisborough Priory
Yale Center for British Art, New Haven
A Farmhouse, Said to Be near Newcastle-upon-Tyne
Private Collection
A Farmhouse, Said to Be near Newcastle-upon-Tyne
Laing Art Gallery, Newcastle-upon-Tyne
Kelso Abbey, from the River Tweed
Private Collection
Warkworth Castle, from the River Coquet
Yale Center for British Art, New Haven
An Upland Landscape, Said to Show Etal Castle
Victoria and Albert Museum, London
The River Tweed at Kelso, Looking Upstream
Courtauld Gallery, London
The Eildon Hills, from the River Tweed
Fitzwilliam Museum, University of Cambridge
A Distant View of Dryburgh Abbey, with the Eildon Hills Beyond
Private Collection
The Valley of the Tweed, with Melrose Abbey in the Distance
Private Collection
Jedburgh Abbey, from Jed Water
Fitzwilliam Museum, University of Cambridge
Jedburgh Abbey, from the South East
Yale Center for British Art, New Haven
The Village of Jedburgh
National Gallery of Scotland, Edinburgh
Southampton: The South Gate and Old Gaol
Private Collection
Bristol Harbour, with St Mary Redcliffe in the Distance
Bristol Museum & Art Gallery
A Wharf with Shipping, Possibly at Bristol
Art Institute of Chicago
A Rainbow over the River Exe
National Gallery of Ireland, Dublin
A Rainbow over the River Exe
The Huntington Library, Art Museum and Botanical Gardens, San Marino
A Rainbow over the River Exe
Graves Gallery, Sheffield
Lydford Castle, from the River Lyd
Clark Art Institute, Williamstown
St Vincent’s Rocks and the Avon Gorge
The Whitworth, The University of Manchester
On the River Taw, North Devon, Looking from Braunton Marsh towards Instow and Appledore
National Gallery of Art, Washington
Conwy Castle, from the River Gyffin
Private Collection, Norfolk
Chelsea Reach, Looking towards Battersea (The White House, Chelsea)
Tate, London
Chelsea Reach, Looking towards Battersea
Private Collection, Norfolk
A Panoramic Landscape, with Figures Trawling a Pond
Private Collection
Landscape with a Distant Ridge, Possibly Hampstead Heath
Yale Center for British Art, New Haven
An Inn Yard, Edgware Road, Paddington
British Museum, London
The Thames from a Window of the Old Toy Inn, Hampton Court
British Museum, London
The Old Cottage, Widmore, near Bromley
British Museum, London
Shipping on the River Medway
Museum of New Zealand, Wellington
A Farmyard with Cattle, Poultry and Labourers Unloading Hay, Possibly Pinkney's Farm, Wimbish
Art Institute of Chicago
Farmhouse and Outbuildings, Possibly in Essex
Aberdeen Art Gallery
An Unidentified Village Street with a Church Tower in the Distance
British Museum, London
A Panoramic Landscape, Possibly Showing Primrose Hill, London
Private Collection
Unidentified Landscape with a Distant Rain Shower
National Museum of Wales, Cardiff
Warkworth Church, with the Bridge Beyond
Victoria and Albert Museum, London
An Italianate Landscape with Two Monks
Private Collection
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About this Work
This rather undistinguished watercolour is nonetheless of some interest on account of both the subject and its intriguing provenance. Looking at the former first, Girtin’s view is taken from a window of the old Toy Inn, near Hampton Court, showing in the centre the East Molesey Mill, on a creek off the river Thames. The scene can be recognised from a watercolour by Sir James Thornhill (1675/76–1734) that is inscribed ‘A View of H. Court Ferry. From my Lodgings Apr.20 1731’ (see figure 1) as well as a drawing by John Inigo Richards (1731–1810) that omits the ferry and concentrates more on the rambling wooden buildings and the more substantial brick building of the Mill House (Baker, 1980). The Toy Inn, which is the common viewpoint for each of the drawings, was built by Oliver Cromwell (1599–1658) for the accommodation of his troops in the Civil War, and its name seems to have been a corruption of ‘tow’, as in tow path. If Girtin did paint the view from the window, and there is no precedent in his career for a practice that was actually relatively common amongst landscape painters, then there is a possibility that the colour was added there too, making this an on-the-spot colour sketch by default. However, not only does the colour seem altogether too well planned and controlled for that, but also the washes are actually very crudely applied, so much so that I suspect that at least some of them were added by another hand.
All of this leads us back to the question of the work’s provenance, and the fact that it is one of only a handful of works that can be confidently identified as being amongst the almost 150 items that appeared at Girtin’s posthumous sale (EChristie’s, 1 June 1803, lot 94). This drawing must surely be the study ‘from the Toy, Hampton Court’, which was bought by the artist’s brother, John Girtin (1773–1821), for £3 15s, and which he subsequently sold on to John Jackson (d.1828), his father-in-law. Jackson features prominently in the accounts of Girtin’s early biographers, who report that he ‘used to play the patron … going about with him and supplying him with money, and promising him good dinners, on condition that he should first make his host a drawing’, citing a ‘view of the old Toy inn at Hampton Court, which he said he obtained in this manner’ (Roget, 1891, pp.119–20). Jackson was endeavouring to sell this work to Chambers Hall (1786–1855) at the time, and the benefactor of the British Museum seems to have believed the story as he bought the drawing. One wonders whether he was not in fact twice duped, with John Girtin having made the study all the more saleable in the first place by adding some colour of his own. Other late sketches by Girtin that passed through his brother’s hands – after John appropriated the contents of Girtin’s last studio in settlement of loans made to him, including Hawarden Castle (TG1350) – also feature colour, which seems suspicious at the very least; in this case, perhaps this is the reason why this uncharacteristically unfaded watercolour fails to impress.
(?) 1798
Hawarden Castle
TG1350