- Description
-
- Creator(s)
- Thomas Girtin (1775-1802) after (?) Edward Dayes (1763-1804)
- Title
-
- The River Wye at New Weir
- Date
- 1791 - 1792
- Medium and Support
- Graphite and watercolour on wove paper, on an original washline mount
- Dimensions
- 15.3 × 23.5 cm, 6 × 9 ¼ in
- Inscription
‘Tho Girtin’ lower left, by Thomas Girtin; ‘Scene near the New Weir / Monmouth' on the back; 'T. Girtin’ on the back. Previously recorded inscription: ‘in the collection of J Walker 1792’ on the back.
- Subject Terms
- River Scenery; South Wales; The Wye Valley
-
- Collection
- Catalogue Number
- TG0067
- Description Source(s)
- Viewed in 2001
Provenance
'J. Walker', 1792; ... Charles Lewes Parker; his sale, Christie’s, 15 May 1875, lot 29 as 'Tintern - a pair', 17 gns; ... Christie's, 27 January 1922, lot 36 with TG0058; Christie's, 3 March 1922, lot 27 with TG0058; bought by 'Hibbard', £39 18s; Frederick Huth; then by descent; Sotheby’s, 17 February 1954, lot 17; bought by Thos. Agnew & Sons, £110 (stock no.7419); ... Thos. Agnew & Sons, 2001; Segundo J. Fernandez and Carolyn Hulsey Fernandez
Exhibition History
Agnew’s, 1955, no.23, £175; Agnew’s, 2001, no.33; Gainesville, 2001, no.48
Place depicted
Other entries in Master and Pupil:
Edward Dayes and the Industrious Apprentice
An Icelandic Woman in Her Riding Dress
National Museum of Iceland, Reykjavik
An Icelandic Woman with Her Young Daughter
National Museum of Iceland, Reykjavik
The Great Geysir, Iceland, as It Appeared during Its Eruption to Sir Joseph Banks in September 1772
Private Collection
Mount Hekla, with Sir Joseph Banks and His Party Descending from the Volcano
Private Collection
Lava as It Has Run Over the Ridge of a Hill, Iceland
Private Collection
The House of Thorstein Jonsson at Hvaleyri, Iceland
National Museum of Iceland, Reykjavik
A Section of the 'Boiling Fountains' (Geysers) and the Surrounding Country, Iceland
Private Collection
The Basalt Pillars near Laugarnes, Iceland
Private Collection
An Icelandic Woman in Her Bridal Dress
National Museum of Iceland, Reykjavik
Durham Cathedral, from the River Wear
The Hermitage Museum, St Petersburg
Eton College, from the River
Yale Center for British Art, New Haven
London: Interior of St Stephen Walbrook, Looking East
Private Collection
Rochester, from the River Medway
Yale Center for British Art, New Haven
St Mary’s Church, Battersea
Blackburn Museum and Art Gallery
Unidentified Coastal Village, Said to Be Clovelly
Private Collection
The Monument to Anthony and Anne Forster, Cumnor Church
Private Collection
The Interior of Buildwas Abbey Church
Yale Center for British Art, New Haven
Somerset House: The Strand Front and the Royal Academy
Untraced Works
An Exterior View of Henry VII’s Chapel, Westminster Abbey
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Westminster Bridge, from the North East
Untraced Works
The Oxford Street Facade of the Pantheon
Untraced Works
The Interior of Westminster Abbey: The Nave Looking East
Untraced Works
The Queen’s Palace, or Buckingham House
Royal Collection Trust (Windsor)
The King’s Mews, Charing Cross
London Metropolitan Archives
The East Front of St Paul’s Church, Covent Garden
Ashmolean Museum, University of Oxford
The West Front of St Martin-in-the-Fields
Untraced Works
The Banqueting House, Whitehall
Victoria and Albert Museum, London
The Interior of St Paul’s Cathedral: The Nave Looking East
Untraced Works
St Paul’s Cathedral, from the South West
Untraced Works
The West Front of St Paul’s Cathedral
Ashmolean Museum, University of Oxford
The West Front of Westminster Abbey
Untraced Works
Interior of St Stephen Walbrook, Looking East
Untraced Works
A French Lady of Quality in 1581
Yale Center for British Art, New Haven
Edward VI in 1550
Yale Center for British Art, New Haven
A Noble Virgin of Bologna in 1581
Yale Center for British Art, New Haven
A Persian Lady in 1568
Yale Center for British Art, New Haven
An English Nobleman in 1559
Yale Center for British Art, New Haven
Henry VIII in 1520
Yale Center for British Art, New Haven
Marlow, from across the River Thames
Private Collection
Tynemouth Priory, from the Coast
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
The River Wensum at Norwich
Metropolitan Museum of Art, New York
Rochester Castle, from the River Medway
The Museum of Fine Arts, Houston
Tintern Abbey, from the River Wye
Courtauld Gallery, London
All Saints' Church, Fulham, from the Seven Bells, Putney
Private Collection
London from Highgate Hill
Yale Center for British Art, New Haven
'First Regiment of Foot Guards, 1660': Officer and Subaltern
British Museum, London
'First Regiment of Foot Guards, 1660': Sergeant and Private
British Museum, London
First Regiment of Foot Guards, 1660: Drummer and Private
Brown University Library, Providence, Anne S. K. Brown Military Collection
'Coldstream Regiment of Foot Guards, 1650': Officer and Sergeant
British Museum, London
'Coldstream Regiment of Foot Guards, 1650': Sergeant and Private
British Museum, London
Coldstream Regiment of Foot Guards, 1650: Drummer and Corporal
Brown University Library, Providence, Anne S. K. Brown Military Collection
'Third Regiment of Foot Guards, 1660': Officer and Sergeant
British Museum, London
'Third Regiment of Foot Guards, 1660': Grenadier and Private
British Museum, London
Third Regiment of Foot Guards, 1660: Drummer and Private
Brown University Library, Providence, Anne S. K. Brown Military Collection
Christ Church, Southwark
Yale Center for British Art, New Haven
Llanthony Priory
Ashmolean Museum, University of Oxford
Rochester, from the North
Yale Center for British Art, New Haven
The View from the Great Boathouse, Lake Windermere
Private Collection
Westminster Abbey and Bridge, from Lambeth
Private Collection
The Dover Mail, Dover Castle in the Distance
Private Collection
Rochester Cathedral and Castle, from the North East
Eton College, Windsor
Worcester, from the River Severn
Indianapolis Museum of Art at Newfields
Lake Windermere and Belle Isle
Wordsworth Grasmere (Dove Cottage and Wordsworth Museum)
London Bridge, from the South Bank
Private Collection
The Demolition of a Building, Said to Be Part of the Ruins of Old Drury Lane Theatre
Private Collection
Dover Castle: The Constable's Tower
Untraced Works
A Cottage on the Solent
Birmingham Museums & Art Gallery
Hereford Cathedral, from the River Wye
Hereford Museum and Art Gallery
Chepstow Castle, on the River Wye
Victoria and Albert Museum, London
Warehouse and Shipping at Wapping
Leicester Museum & Art Gallery
A Distant View of Hereford Cathedral
Private Collection
The Gatehouse and Barbican, Warwick Castle
Fine Arts Museums of San Francisco
Chepstow Castle, from the River Wye
Ashmolean Museum, University of Oxford
The Interior of a Ruined Abbey Church
Private Collection
The Head of Ullswater, from Goborrow Park
Private Collection
Part of the Ruins of Roche Abbey
Private Collection
The Transept of St Saviour’s, Southwark
Yale Center for British Art, New Haven
Part of the Ruins of the Savoy Palace, Westminster Bridge Beyond
Yale Center for British Art, New Haven
Durham Cathedral, from the River Wear
Laing Art Gallery, Newcastle-upon-Tyne
All Saints' Church, Marlow
The Whitworth, The University of Manchester
Caesar’s Tower, Warwick Castle
Ashmolean Museum, University of Oxford
An Interior View of the Ruins of the Savoy Hospital
Yale Center for British Art, New Haven
A Bronze Age Palstave and a Roman Bow Brooch
Society of Antiquaries of London
All Saints' Church, Marlow
Yale Center for British Art, New Haven
Unidentified Monastic Ruins next to a River
Private Collection
Westminster, from the Ruins of the Savoy
National Gallery of Scotland, Edinburgh
Manchester: Chetham’s College from Hunt’s Bank, with the Bridge over the River Irwell
Untraced Works
Part of the Ruins of the Savoy Palace, Westminster Bridge Beyond
Private Collection
The Oriel Window of the Great Hall of Eltham Palace
Ashmolean Museum, University of Oxford
An Exterior View of Part of the Ruins of the Savoy Hospital
Private Collection
A Distant View of Marlow, from the River Thames
The Huntington Library, Art Museum and Botanical Gardens, San Marino
A Distant View of Marlow, from the River Thames
Private Collection
An Interior View of the Ruins of the Savoy Hospital
Ashmolean Museum, University of Oxford
Part of the Ruins of the Savoy Palace, Westminster Bridge Beyond
Private Collection
Buildings in the Process of Demolition, Said to Be the Ruins of the Savoy Palace
Tate, London
An Exterior View of Part of the Ruins of the Savoy Hospital
Tate, London
An Interior View of the Ruins of the Savoy Hospital
Tate, London
St Mary’s Church, Monken Hadley
Tate, London
An Exterior View of the Great Hall of Eltham Palace
Victoria and Albert Museum, London
The Interior of the Great Hall of Eltham Palace
Private Collection
The Interior of the Great Hall of Eltham Palace
Private Collection
The Interior of the Great Hall of Eltham Palace
Yale Center for British Art, New Haven
St Mary's Church, Putney High Street
Private Collection
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About this Work
A now lost inscription notes that this work, like its pair, Tintern Abbey, from the River Wye (TG0058), dates to 1792 at the latest, and it is therefore likely to have been produced by a young Girtin whilst still apprenticed to Edward Dayes (1763–1804). This early date is confirmed by the artist’s crude articulation of the various components of the composition, as rocks and trees merge into each other without inhabiting a credible space, and by its schematic depiction of the water, which is typical of other early works, such as Rochester Castle, from the River Medway (TG0057) and Durham Cathedral, from the River Wear (TG0012). As with the view of Tintern Abbey, this watercolour must have been made after the work of another artist, and Girtin did not visit the famously picturesque Wye valley either as an apprentice or later in his career. The source of Girtin’s composition is again likely to have been a sketch by Dayes, but the issue is less clear-cut here. A view of the Wye at New Weir was included in Dayes’ collection of aquatints, Views of the River Wye, published in 1800 (see figure 1). However, there are a number of differences, suggesting either that Girtin worked from another untraced view by Dayes, taken from further upriver, or that he felt confident enough to adapt his master’s composition. In particular, Girtin changed the angle of the Longstone shown to the left of the composition and altered the form of the overhanging rock in the centre, the famous viewing point over the Wye at Symonds Yat, which in Girtin’s view is fancifully illuminated by a rainbow. A view by Thomas Hearne (1744–1817), taken from almost exactly the same point, suggests that Dayes’ watercolour was the more topographically accurate and that the limitations of Girtin’s composition stemmed from a misreading of his master’s sketch, always a possibility when working from a secondary source.
Intriguingly, Girtin did add one feature barely apparent in Dayes’ view – the busy iron manufactory on the opposite bank. Many of the tourists who flocked to the river Wye to enjoy its picturesque scenery and to climb Yat Rock also included a visit to the forge, and, as C. Suzanne Matheson has pointed out, images of this stretch of the river often include depictions of the lime kilns, stone quarries, and iron and tin works that dotted its banks (Matheson, 2007). Dayes was more mindful of one detail omitted by Girtin, however; a barge is being towed upriver and through the lock that was built to bypass the weir. Not having visited the site, Girtin was at a disadvantage when it came to details such as this, which could help to complete a credible scene of labour specific to the locality.
1791 - 1792
Tintern Abbey, from the River Wye
TG0058
(?) 1791
Rochester Castle, from the River Medway
TG0057
1790
Durham Cathedral, from the River Wear
TG0012