Works
At the core of this website are the approximately 1,550 illustrated entries that catalogue the pencil drawings and watercolours produced by Thomas Girtin (1775–1802) during his short but highly productive career, together with the prints that were executed after his work. These include the substantial body of work Girtin produced in collaboration with his almost exact contemporary Joseph Mallord William Turner (1775–1851) at the home of their patron Dr Thomas Monro (1759–1833).
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The Ripa Grande, Site of the Ancient Port of Rome, in an Imaginary Setting
1794 - 1797
Tate, London
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The Chapel of San Giuliano, Overlooking the River Tiber, near the Milvian Bridge
1794 - 1797
Tate, London
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Rome: The River Tiber, with the Aventine Hill to the Left
1794 - 1797
National Gallery of Scotland, Edinburgh
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An Unidentified Villa, Possibly in Rome
1794 - 1797
Yale Center for British Art, New Haven
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Rome: A Wall with Trees Overhanging a Road, near the Porta Pinciana
1794 - 1797
Tate, London
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Rome: A View in the Farnese Gardens
1794 - 1797
Yale Center for British Art, New Haven
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Rome: The Ludovisi Gardens
1794 - 1797
Private Collection
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Rome: The View from the Corsini Gardens
1794 - 1797
Private Collection
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Rome: A Distant View of the Basilica of St John Lateran
1794 - 1797
The Whitworth, The University of Manchester
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Rome: St Peter’s, from a Nearby Terrace
1794 - 1797
Tate, London
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Rome: St Peter's Square from the Colonnade
1794 - 1797
Tate, London
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The Vatican: The Belvedere Viewed from the East beyond a High Wall
1794 - 1797
Tate, London
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The Vatican: The Wall of the Giardino della Pigna and the Belvedere
1794 - 1797
Tate, London
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Rome: St Peter's from Monte Mario
1794 - 1797
Harewood House, Yorkshire
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St Peter's and the Vatican, from above the Arco Oscuro
1794 - 1797
Private Collection
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Rome: The River Tiber from Monte Mario, Looking towards the Sabine Hills
1794 - 1797
Private Collection
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On the River Tiber, at Acqua Acetosa
1794 - 1797
Tate, London
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A View on the River Tiber, North of Rome
1794 - 1797
Tate, London