- Description
-
- Creator(s)
- (?) Thomas Girtin (1775-1802)
- Title
-
- Southwell Minster, from the North West
- Date
- (?) 1795
- Medium and Support
- Watercolour on wove paper
- Dimensions
- 38.1 × 47 cm, 15 × 18 ½ in
- Object Type
- Studio Watercolour
- Subject Terms
- Gothic Architecture: Cathedral View; The Midlands
Provenance
'Duncan' (unidentified dealer); Christie’s, 19 March 1887, lot 35 as by Joseph Mallord William Turner; bought by 'Agnew'; Thos. Agnew & Sons (stock no.8348); bought by Sir John Pender (1815–96), 29 February 1888 (lent to London, 1894); his posthumous sale, Christie’s, 31 May 1897, lot 243 as by Joseph Mallord William Turner; bought by 'Agnew', £42; Thos. Agnew & Sons (stock no.2062); bought by John Fletcher Haworth (c.1851–1922), 2 December 1897; Gooden & Fox Ltd.; bought from them by Thos. Agnew & Sons (stock no.6596), 12 May 1908; bought by Revd John Park Haslam (1856–1925), 28 February 1912; bequeathed to the Gallery, 1949
Exhibition History
Agnew’s, 1888, no.277 as by Joseph Mallord William Turner; Agnew’s, 1909, no.23; London, 1984d, no.528, as by Joseph Mallord William Turner; Nottingham Castle Museum, 2007, no catalogue
Bibliography
Armstrong, 1902, p.278 as by Joseph Mallord William Turner
Place depicted
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About this Work
This view of Southwell Minster from the north west has always been attributed to Joseph Mallord William Turner (1775–1851), who visited the city in the same year as Girtin, 1794. The work was not included in Andrew Wilton’s catalogue of Turner’s watercolours, however, and, given that the view is taken from exactly the same spot as Girtin’s detailed pencil drawing (TG1024), the case for attributing it to him is a strong one (Wilton, 1979). Indeed, such is the congruence between the pencil drawing, this watercolour and the view of Southwell Minster that Girtin produced for James Moore (1762–99) (TG0996) that it is not unreasonable to assume that both versions of the composition were executed from Girtin’s sketch. Details such as the precise alignment of the crossing and the western towers, the repetition of the exact position of the Chapter House in relation to the north transept, and the inclusion in both drawings of the same double gravestone in the foreground to the left all suggest that Girtin’s on-the-spot sketch was the source for both Southwell watercolours. Moreover, Turner's slight pencil drawings made in Southwark suggest a fleeting visit and no comparable view by him of the Minster has survived.
Despite being able to rule out an attribution to Turner it is by no means certain that the watercolour is by Girtin as opposed to being a copy by an anonymous artist as appears to be the case with a second example of this slightly more extended version of the composition (TG1025). The chance to view the watercolour, as opposed to working from a poor quality image, has revealed a faded work that lacks the vitality of either the version painted for Moore (TG0996) or the attractive monochrome drawing now at Southwell (TG0995) and I will consequently revisit this entry when the site is updated in the New Year. On balance, though I still think that this work is by Girtin there are sufficient reservations to merit retaining a question mark next to his name.
(?) 1794
Southwell Minster, from the North West
TG1024
1794 - 1795
Southwell Minster, from the North West
TG0996
1794 - 1800
Southwell Minster, from the North West
TG1025
1794 - 1795
Southwell Minster, from the North West
TG0996
1794 - 1795
Southwell Minster, from the North West
TG0995