Works
At the core of this website are the approximately 1,550 illustrated entries that catalogue the pencil drawings and watercolours produced by Thomas Girtin (1775–1802) during his short but highly productive career, together with the prints that were executed after his work. These include the substantial body of work Girtin produced in collaboration with his almost exact contemporary Joseph Mallord William Turner (1775–1851) at the home of their patron Dr Thomas Monro (1759–1833).
-
Rome: The View from the Palatine Hill, with the Palace of Augustus in the Foreground
1794 - 1797
Tate, London
-
An Ancient Ruin, Probably near Rome
1794 - 1797
Tate, London
-
Rome: Part of the Ruins of Nero's Golden House, the Domus Aurea
1794 - 1797
Tate, London
-
Rome: The Monumental Ruins of Nero's Golden House, the Domus Aurea
1794 - 1797
Tate, London
-
Rome: The Ruins of Nero's Golden House, the Domus Aurea
1794 - 1797
Tate, London
-
Rome: Part of the Extension to the Claudian Aqueduct, Known as the Arcus Neroniani
1794 - 1797
Tate, London
-
The Mausoleum of Caecilia Metella, Rome
1794 - 1797
Private Collection
-
An Unidentified Mausoleum, Probably near Rome
1794 - 1797
Private Collection
-
The Pyramid of Gaius Cestius, Rome
1794 - 1797
Ashmolean Museum, University of Oxford
-
Rome: The Castle of St Angelo
1794 - 1797
Victoria and Albert Museum, London
-
Rome: The Temple of Vesta
1794 - 1797
Tate, London
-
A Detail of the Portico of an Ancient Temple
1794 - 1797
Tate, London
-
An Imaginary Composition with Antique Ruins and Figures
1794 - 1797
Tate, London
-
Rome: The Ruined Nymphaeum of Alexander Severus, Known as the Temple of Minerva Medica
1794 - 1797
Tate, London
-
Rome: The Colosseum, from the Caelian Hill
1794 - 1797
Private Collection
-
Rome: The Colosseum, with a Rider on a Track
1794 - 1797
The Morgan Library & Museum, New York
-
Rome: Part of the Extension to the Claudian Aqueduct, Known as the Arcus Neroniani
1794 - 1797
Private Collection
-
An Architectural Composition, Based on the Milvian Bridge over the River Tiber
1794 - 1797
Tate, London
-
Rome: Part of the Milvian Bridge over the River Tiber (The Ponte Molle)
1794 - 1797
Tate, London
-
Rome: The Fortified Northern End of the Milvian Bridge (The Ponte Molle)
1794 - 1797
Tate, London
-
The Ripa Grande, Site of the Ancient Port of Rome, in an Imaginary Setting
1794 - 1797
Tate, London
-
The Chapel of San Giuliano, Overlooking the River Tiber, near the Milvian Bridge
1794 - 1797
Tate, London
-
Rome: The River Tiber, with the Aventine Hill to the Left
1794 - 1797
National Gallery of Scotland, Edinburgh
-
An Unidentified Villa, Possibly in Rome
1794 - 1797
Yale Center for British Art, New Haven