- Description
-
- Creator(s)
- Thomas Girtin (1775-1802)
- Title
-
- Dryburgh Abbey
- Date
- (?) 1796
- Medium and Support
- Graphite on paper
- Dimensions
- 20.3 × 14 cm, 8 × 5 ½ in
- Inscription
‘Dryborough Abbey T. Girtin’ on the back, by (?) Thomas Girtin
- Object Type
- Outline Drawing
- Subject Terms
- Monastic Ruins; The Scottish Borders
-
- Collection
- Catalogue Number
- TG1118
- Girtin & Loshak Number
- 168 as 'Dryburgh Abbey, Berwick'
- Description Source(s)
- Girtin and Loshak, 1954
Provenance
Charles Sackville Bale (1791–1880); his posthumous sale, Christie’s, 16 May 1881, lot 392 (9 pencils in lot); J. Palser & Sons; Edward Cohen (1817–86); then by bequest to his niece, Isabella Oswald (1838–1905); her posthumous sale, Robins & Hine, 30 March 1905, lot unknown; Henry Melville Gaskell (1879–1954), by 1929
Place depicted
Other entries in The 1796 Northern Tour to Yorkshire, the North East and the Scottish Borders:
Sketches and Subsequent Watercolours
Bamburgh Castle, from the South
Cragside House, Northumberland (National Trust)
Durham Cathedral, from the South West
British Museum, London
The Ouse Bridge, York, from the North Shore
British Museum, London
The Ouse Bridge, York, from Skeldergate Postern
York Art Gallery
York: The New Walk on the Banks of the Ouse
Yale Center for British Art, New Haven
York Minster, from the South West
Private Collection
York Minster, from the South West
Private Collection
York Minster, from the Ouse, with St Mary’s Abbey
Harewood House, Yorkshire
The South Side of York Minster, Showing the Transept and the Western Towers
Private Collection, Yorkshire
York Minster, from the South East, Layerthorpe Bridge and Postern to the Right
British Museum, London
Unidentified Gothic Ruins, Said to Be St Mary’s Abbey, York
Birmingham Museums & Art Gallery
A Distant View of Ripon Minster, from the River Skell
Private Collection
A Distant View of Ripon Minster, from the River Skell
Harewood House, Yorkshire
A Distant View of Rievaulx Abbey
Yale Center for British Art, New Haven
Easby Abbey, from the River Swale
Private Collection
Easby Abbey, from the River Swale
Manchester Art Gallery
Easby Abbey, from the River Swale
Metropolitan Museum of Art, New York
The Bridge at Warkworth, with the Church Beyond
Victoria and Albert Museum, London
Richmond, Yorkshire: The Seventeenth-Century House Known as St Nicholas
British Museum, London
Richmond Castle and Bridge, from the River Swale
The Huntington Library, Art Museum and Botanical Gardens, San Marino
Richmond Castle and Bridge, from the River Swale
Victoria Gallery and Museum, University of Liverpool
Richmond Castle and Town, from the South East
Private Collection
Barnard Castle, from the River Tees
British Museum, London
Egglestone Abbey, from the River Tees
Gallery Oldham
Egglestone Abbey, on the River Tees
British Museum, London
Durham Cathedral and Castle, from the River Wear
Museum of Fine Arts, Boston
Durham Cathedral and Castle, from the River Wear
The Whitworth, The University of Manchester
Durham Cathedral and Castle, from the River Wear
J. Paul Getty Museum, Los Angeles
Durham Castle and Cathedral, from below the Weir
Private Collection, Norfolk
Durham Castle and Cathedral, from below the Weir
Victoria and Albert Museum, London
Durham Castle and Cathedral, from below the Weir; Dryburgh Abbey with the Eildon Hills Beyond
Birmingham Museums & Art Gallery
Durham Cathedral, from the South West
Private Collection
St Nicholas’ Church, Newcastle-upon-Tyne
Private Collection
Tynemouth Priory, from the Coast
Cleveland Museum of Art
Bothal Castle, from the River Wansbeck
Private Collection
A River Scene with a Tower, Said to Be the Tyne near Hexham
Leeds Art Gallery
Warkworth Castle, from the River Coquet
Yale Center for British Art, New Haven
Warkworth Castle, from the River Coquet
Private Collection, Norfolk
The Bridge at Warkworth, with the Castle Beyond
Untraced Works
Dunstanburgh Castle, Viewed from a Distance
Yale Center for British Art, New Haven
Dunstanburgh Castle: The Lilburn Tower
Laing Art Gallery, Newcastle-upon-Tyne
Lindisfarne: An Interior View of the Ruins of the Priory Church
The Whitworth, The University of Manchester
Lindisfarne: An Interior View of the Ruins of the Priory Church
Fitzwilliam Museum, University of Cambridge
An Interior View of the Ruins of Lindisfarne Priory Church
Yale Center for British Art, New Haven
Lindisfarne: The Nave and Crossing of the Priory Church
British Museum, London
An Exterior View of the Ruins of Lindisfarne Priory Church
Ashmolean Museum, University of Oxford
An Exterior View of the Ruins of Lindisfarne Priory Church
Private Collection
York Minster, from the South East, Layerthorpe Bridge and Postern to the Right
Victoria and Albert Museum, London
Dryburgh Abbey: The South Transept Looking North
Private Collection
Dryburgh Abbey: The South Transept from the Cloister
Private Collection
Melrose Abbey: The Ruined Presbytery and the East Window
Clark Art Institute, Williamstown
Melrose Abbey: The Ruined Presbytery and the East Window
Cooper Gallery, Barnsley
Melrose Abbey, from the North East
The Morgan Library & Museum, New York
Jedburgh Abbey, from the North East
Private Collection
Jedburgh Abbey, from Jed Water
Yale Center for British Art, New Haven
The Village of Jedburgh, with the Abbey Ruins
British Museum, London
The Village of Jedburgh, with the Abbey Ruins
Private Collection, Bedfordshire
The West Front of Jedburgh Abbey
British Museum, London
Jedburgh Abbey, from the South East
Blickling Hall, Norfolk (National Trust)
The Ruins of the Lady Chapel, near Bothal
Rhode Island School of Design Museum, Providence
Bamburgh Castle, from the Village
Guy Peppiatt Fine Art Ltd
St Nicholas’ Church, Newcastle-upon-Tyne
Victoria Gallery and Museum, University of Liverpool
Richmond, Yorkshire: The Seventeenth-Century House Known as St Nicholas
Private Collection
An Interior View of Fountains Abbey: The East Window from the Presbytery
Graves Gallery, Sheffield
St Mary’s, Old Malton, on the River Derwent
Untraced Works
York: Pavement, Looking towards All Saints
Private Collection
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About this Work
This pencil sketch of the west wall of the refectory of Dryburgh Abbey, in the Scottish Borders, was probably made in 1796 on Girtin’s first independent sketching tour. Only one of the twenty or so pencil drawings and on-the-spot colour sketches that survive from the trip is dated, but it is still broadly possible to trace Girtin’s progress through Yorkshire, Durham, Northumberland and the Scottish Borders from the titles of the works that he sent to the 1797 Royal Academy exhibition, and from the dated watercolours that were subsequently produced from these and other untraced sketches. Unusually for Girtin, this sketch does not seem to have been the subject of a finished studio watercolour, but at least two views of the ruined south transept of Dryburgh appear, from stylistic evidence, to have been painted around 1798 (TG1120 and TG1121). It is likely that the pencil sketch was made in 1796, rather than on a later visit to the site in 1800, which resulted in a more distant view of the ruins (TG1719).
In general, Girtin did not use a sketchbook, choosing instead to work on pieces of paper of varying sizes, cut down from the larger sheets that he would have bought from a stationer in London. Of the twenty or so sketches so far identified as coming from the 1796 tour, only this drawing and a view of Dunstanburgh roughly share the same dimensions (TG1100). Both are inscribed by Girtin with his name and the subject in the same format on the back, suggesting that he subsequently sold them, though whether they were removed from a sketchbook is more questionable.
1797 - 1798
Dryburgh Abbey: The South Transept Looking North
TG1120
1797 - 1799
Dryburgh Abbey: The South Transept from the Cloister
TG1121
1800 - 1801
A Distant View of Dryburgh Abbey, with the Eildon Hills Beyond
TG1719
(?) 1796
Dunstanburgh Castle, Viewed from a Distance
TG1100