- Description
-
- Creator(s)
- Thomas Girtin (1775-1802) after John Henderson (1764-1843)
- Title
-
- Dover Harbour
- Date
- 1795 - 1796
- Medium and Support
- Graphite on wove paper
- Dimensions
- 43.5 × 57.8 cm, 17 ⅛ × 22 ¾ in
- Object Type
- Monro School Copy; Work after an Amateur Artist
- Subject Terms
- Coasts and Shipping; Dover and Kent
-
- Collection
- Catalogue Number
- TG0802
- Description Source(s)
- Viewed in 2001 and 2018
Provenance
Charles Francis Bell (1871–1966); presented to the Museum, 1935
Bibliography
Girtin and Loshak, 1954, p.205 as by Thomas Girtin; Wilton, 1984a, pp.19–20 as by Thomas Girtin
Place depicted
Other entries in Monro School Copies:
British Views, Including Works after the Outlines of John Henderson

An Upland Landscape with a Rainbow, Said to Be Lowther Fells
Kendal Town Hall

Tonbridge Bridge and Castle
Yale Center for British Art, New Haven

The High Rocks, near Tunbridge Wells
National Gallery of Scotland, Edinburgh

The Town of Rye, Seen from the Marshes
Yale Center for British Art, New Haven

Dover Castle, Seen from the Beach
Yale Center for British Art, New Haven

An Upland Scene with a Wooded Valley
Leeds University Art Gallery

Unidentified Medieval Ruins, with Agricultural Buildings
Tate, London

A View near Keswick, Probably Bassenthwaite Lake
Private Collection

Skiddaw and Bassenthwaite Lake, from the Vale of Newlands
Private Collection

Looking South into Borrowdale, from the Shore of Derwentwater
Private Collection

Mountainous Landscape, Possibly in the Lake District
Walker Art Gallery, National Museums Liverpool

Boon Crag Cottage, with Coniston Water Beyond
Private Collection

A View in Cumbria, Probably Looking from Irton Fell towards Ravenglass
Clark Art Institute, Williamstown

A View in Cumbria, Looking towards Irton and the Irish Sea, with the Isle of Man in the Distance
Tate, London

The River Leven, Cumbria, Viewed from Penny Bridge
Tate, London

St John's Vale, Cumbria
Private Collection

The Lodore Falls
Yale Center for British Art, New Haven

Langdale Pikes
Private Collection

An Unidentified Bridge over a Stream, Possibly in North Wales
Private Collection

Derwentwater, with Skiddaw in the Distance
Eton College, Windsor

Beddgelert Bridge, North Wales
Private Collection

Nant Mill, Betws Garmon, North Wales
Clark Art Institute, Williamstown

A Mountainous River Landscape with a Bridge
Private Collection

Cynwyd Mill, near Corwen, North Wales
Brandler Galleries, Brentwood

Conwy: The Town Walls from the South East
Tate, London

Raglan Castle: The Great Hall
Private Collection

A Mountainous Landscape with an Unidentified Bridge, Possibly in North Wales
Ashmolean Museum, University of Oxford

The Iron Bridge at Coalbrookdale
Private Collection

An Estuary, Possibly Dartmouth
Private Collection

Grasmere: Looking North West to Helm Crag
Private Collection

The Head of Lake Windermere
Rhode Island School of Design Museum, Providence

The Head of Derwentwater, with the Lodore Falls
Private Collection

Dover Harbour, with Shipping Being Overhauled
Tate, London

A Two-Master in Dover Harbour, with the Castle Beyond
Tate, London

Dover Harbour: A Ship Being Overhauled
Tate, London

A Boat on the Shore, near Shakespeare Cliff, Dover
Tate, London

Dover Harbour: Fishing Vessels, Their Sails Drying
Tate, London

Shipping in Dover Harbour, with the Castle Beyond
Tate, London

Ullswater: Looking South to the Head of the Lake
Private Collection

A General View of Dover Harbour, from the East
Tate, London

Dover Harbour: Small Boats by the Quay
Tate, London

Boats in Dover Harbour
British Museum, London

A Ship under Repair in Dover Harbour
National Gallery of Ireland, Dublin

Figures on a Fishing Vessel in Dover Harbour
Private Collection

A Fishing Vessel with Hastings Beyond
Birmingham Museums & Art Gallery

Dover Castle from the Sea
Private Collection

A Beached Vessel in the Inner Harbour at Dover
Private Collection

Dover Harbour, with the Castle on the Hill
British Museum, London

Dover Harbour
Private Collection

Beached Vessels in Dover Harbour, the Castle in the Distance
Smith College Museum of Art, Northampton

Vessels Anchored in Dover Harbour, with the Castle Beyond
National Gallery of Scotland, Edinburgh

Warehouses with Shipping in Dover Harbour
Smith College Museum of Art, Northampton

Vessels in the Harbour at Dover, with the Castle Beyond
Private Collection

Dover Harbour, with the Cliffs Beyond
Tasmanian Museum and Art Gallery, Hobart

Vessels Moored in Dover Harbour
Private Collection

The Inner Harbour, Dover, with the Castle Beyond
Brighton Museum and Art Gallery

A Ship Drawn Up on a Beach Being Careened
Private Collection

Beached Fishing Vessels, Dover Harbour
National Gallery of Ireland, Dublin

Beached Fishing Vessels in the Harbour at Dover
Private Collection

Boats Anchored in Dover Harbour
Victoria and Albert Museum, London

Boats Anchored in Dover Harbour
Private Collection

Dover Harbour, with Fishing Boats at Low Tide
The High Museum of Art, Atlanta

Dover: The Harbour with Vessels
Fitzwilliam Museum, University of Cambridge

A Smack in Dover Harbour, Drying Sails, with the Old Church in the Distance
National Maritime Museum, Greenwich

Dover Harbour: A Boat under Repair
Private Collection

Fishing Boats at Low Tide, near Dover
Courtauld Gallery, London

Dover: Two Boatmen Standing by the Prow of a Brig
Private Collection

Dover Harbour
Private Collection

A Fisherman's Cottage, Said to Be at Dover
Yale Center for British Art, New Haven

The Hull of a Ship under Repair, with a Barge and Smaller Boats
Tate, London

A Boat-Builder’s Yard, Possibly on the River Medway
Fitzwilliam Museum, University of Cambridge

A Boat-Builder’s Yard, Possibly on the Medway
Private Collection

A Boat-Builder’s Yard, Possibly on the River Medway
Private Collection

A Boat-Builder's Shed, Possibly on the River Medway
National Gallery of Scotland, Edinburgh

A Boat-Builder’s Shed, Possibly on the River Medway, with a Fishing Boat with Drying Sails
Tate, London

The Coast, near Dover
The Higgins, Bedford

Folkestone Harbour
Julian Huxley-Parlour Fine Art, London

Beachy Head, Looking towards Newhaven
National Gallery of Scotland, Edinburgh

Beachy Head, Looking towards Newhaven
Ulster Museum, Belfast

Shakespeare Cliff, Dover
National Gallery of Ireland, Dublin

Beached Vessels in Dover Harbour, the Castle in the Distance
Ashmolean Museum, University of Oxford

Buildings on a Wooden Quayside
Private Collection

A Coast View with Chalk Cliffs, Probably from near Beachy Head
Ashmolean Museum, University of Oxford

A Small Boat under Repair by a Jetty
Private Collection

Dover: Snargate Street, Looking West
Private Collection

Dartford High Street
Private Collection

Tonbridge Bridge and Castle
Fitzwilliam Museum, University of Cambridge

Rye, from the River Tillingham
National Gallery of Scotland, Edinburgh

Dover: Fishing Boats at Low Tide
Private Collection

Two Boatmen Caulking the Bows of a Beached Brig, Probably at Dover
Private Collection

Hastings: A Beached Fishing Boat
Private Collection

A Coastal Scene at Dover
Worthing Museum and Art Gallery

Mickleham Church
Tate, London

Dolbadarn Castle on Llyn Padarn
Clark Art Institute, Williamstown

Conwy Castle, from the East
Huddersfield Art Gallery

Harlech Castle, from the South
National Gallery of Ireland, Dublin

The Gatehouse, Harlech Castle, Seen from the Moat
Private Collection, Gloucestershire

The High Street at Egham
Private Collection

Boats in Dover Harbour
Leeds Art Gallery

Two Trees Overlooking a Meandering River
Private Collection

A Dilapidated Cottage
Private Collection

Dover: Boats Anchored in the Harbour
Private Collection

A Coastal View near Dover, probably at St Margaret's, Cliffe
Private Collection

Dover: Beached Boats, with the Castle Beyond
Private Collection

Dover Harbour: The Stern of a Large Ship, and Smaller Vessels
Tate, London

The Town of Rye, Seen from the Marshes
British Museum, London
Revisions & Feedback
The website will be updated from time to time and, when changes are made, a PDF of the previous version of each page will be archived here for consultation and citation.
Please help us to improve this catalogue
If you have information, a correction or any other suggestions to improve this catalogue, please contact us.
About this Work
This general view of Dover harbour looking west was copied by Girtin from an on-the-spot sketch made by the amateur artist and collector John Henderson (1764–1843) (see the source image above). It was produced at the house of Dr Thomas Monro (1759–1833), who employed Girtin and his contemporary Joseph Mallord William Turner (1775–1851) to copy ‘the outlines or unfinished drawings of’ principally John Robert Cozens (1752–97), but other artists too, including the patron’s neighbour, Henderson, who is said to have lent his ‘outlines for this purpose’ (Farington, Diary, 30 December 1794). Henderson visited Dover in the autumn of 1794 and the ‘outlines of Shipping & Boats’ he made there, described by the diarist Joseph Farington (1747–1821) as ‘Very ingenious & careful’, provided the basis for a substantial number of copies commissioned by Monro (Farington, Diary, 1 December 1795). The copy of Henderson’s sketch produced jointly by the two artists, A General View of Dover Harbour (TG0801), typically saw Girtin tracing the outlines in graphite with Turner washing in the effects with a limited palette.
It is possible that Girtin’s pencil copy of the same composition by Henderson was produced as the first stage in the creation of just such a watercolour copy but that it was abandoned and recopied to form A General View of Dover Harbour. However, there is evidence that the detailed pencil drawing was conceived by Girtin separately from the production of a Monro School watercolour. Overlaying an image of the Henderson sketch, firstly with the watercolour copy (TG0801) and then with the Girtin pencil drawing (TG0802), makes clear that whilst the pencil work in the watercolour was traced from the Henderson source, this drawing was copied freehand with various details added. Thus Girtin’s slightly smaller drawing actually includes more of the building to the right, and an extra rowing boat with men fishing has been added to the foreground. It is impossible to prove definitively, but I suspect that Girtin’s drawing was conceived independently as a model for a composition that might be developed in the future as a full-scale studio watercolour, and it therefore included improvements on Henderson’s sketch. The drawing is still essentially a careful copy of Henderson’s highly detailed study, therefore, but Girtin softened the hard contours of the amateur’s sketch and, with the help of additional details such as the rowing boat, began to create a more coherent spatial organisation for the scene so that the individual elements inhabit a more convincing position within the whole. There is still a way to go in terms of creating a convincing model for the depiction of a crowded riverbank, but one can already see the seeds of an idea that would come to full fruition in Girtin’s depictions of the river Seine in Paris in 1802 (such as TG1865).
Image Overlay
1795 - 1796
A General View of Dover Harbour, from the East
TG0801
1795 - 1796
A General View of Dover Harbour, from the East
TG0801
1795 - 1796
Dover Harbour
TG0802
1802
The Ile de la Cité, with the Louvre and the Pont Neuf in the Distance, Taken from the Pont Marie: Pencil Study for Plate Three of ‘Picturesque Views in Paris’
TG1865